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Jess Williamson - Hunter (Official Video)

Jess Williamson - Hunter (Official Video)

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Jess Williamson - Hunter (Official Video)

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Pangaea - Changing Channels [Hessle Audio]

Pangaea - Changing Channels [Hessle Audio]

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Pangaea - Changing Channels [Hessle Audio]

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Olivia Rodrigo - vampire (Official Video)

Olivia Rodrigo - vampire (Official Video)

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Olivia Rodrigo - vampire (Official Video)

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Olivia Isabel Rodrigo (born February 20, 2003) is an American singer-songwriter and actress. She first rose to prominence for starring on the Disney television programs Bizaardvark (2016–2019) and High School Musical: The Musical: The Series (2019–2022).

Olivia Isabel Rodrigo was born on February 20, 2003, in Murrieta, California to Jennifer, a school teacher, and Chris, a family therapist. An only child, she grew up in neighboring Temecula. Rodrigo was born half-deaf in her left ear.Rodrigo is a Filipino American; her father is of three-quarters Filipino descent while her mother has German and Irish ancestry. She has stated that her paternal great-grandfather emigrated from the Philippines as a teenager and her family follows Filipino traditions and cuisine. She grew up listening to her parents' favorite alternative rock music, such as the bands No Doubt, Pearl Jam, the White Stripes, and Green Day.

Quantum Suicide - Nourished by Time

Quantum Suicide - Nourished by Time

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Quantum Suicide - Nourished by Time

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Wednesday - Chosen to Deserve (Official Video)

Wednesday - Chosen to Deserve (Official Video)

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Wednesday - Chosen to Deserve (Official Video)

Caroline Polachek - Sunset [Official Music Video]

Caroline Polachek - Sunset [Official Music Video]

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Caroline Polachek - Sunset [Official Music Video]

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Polachek was born in Manhattan, New York City, on June 20, 1985, to James Montel Polachek (1944–2020), a scholar in Chinese history and trained classical musician, and Elizabeth Allan. Her family relocated to Tokyo, Japan, where she lived between the ages of one and six, and later settled in Greenwich, Connecticut, where Polachek started singing choir in the third grade. She was a synthesizer player from a young age as her father gave her a Yamaha keyboard to dissuade her from being disruptive on the piano.

Polachek's parents divorced in 1994. She describes herself as "a very hyperactive kid" and said that they would play Enya at their respective houses to calm her senses. Polachek recounts her early exposure to traditional Japanese songs and anime themes as being influential on her musical education. She rode horses growing up. As a teenager, she began traveling to New York to attend concerts, which were a mix of post-hardcore emo, DIY punk and jazz shows. Mike Patton of Faith No More once personally walked her into a show at the Knitting Factory when her fake ID was rejected. She played in a couple of bands in high school and college.

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Polachek says that she "grew up kneeling at the altar of alternative music" and that Björk, Kate Bush, and Fiona Apple were her "absolute heroes" when she was a teenager. Her alter ego Ramona Lisa was inspired by "artists whose looks were inseparable from their music", such as Nirvana, Marilyn Manson, and David Bowie. She named those artists, along with Björk and Busta Rhymes, as influences for her visual identity. She called Paddy McAloon of Prefab Sprout her "favorite lyricist" and stated that she is "very inspired by contemporary artists like Rosalía or Doja Cat, who play with sounds". She also finds inspiration in "more abstract" domains beyond music, such as landscapes

M.ZI - Keytronic

M.ZI - Keytronic

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M.ZI - Keytronic

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When Max Renn goes looking for edgy new material for his sleazy cable TV station, he stumbles across the pirate broad­­cast of a hyperviolent torture show called “Videodrome.” His attempts to unearth the program’s origins send him on a hallucinatory journey into a shadow world of right-wing conspiracies, sado­masochistic sex games, and bodily trans­formation. Starring James Woods and Deborah Harry, Videodrome is one of the most original and provocative works from writer-director David Cronenberg, and features ground­breaking makeup effects by Academy Award winner Rick Baker.

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It is a surreal movie, fully embodying Cronenberg's affinity for Body Horror, and like all of his movies, it also has a strong intellectual undercurrent. The film deals with Marshall McLuhan's philosophies and examines the relationship between television and its audience. Cronenberg was greatly influenced by McLuhan's theories.

More specifically, the film follows the CEO of a small cable station who stumbles upon a pirate television signal that is broadcasting extremely violent and horrific things. He investigates. As you might expect from Cronenberg, things get worse...
 

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Sleasy, with elements of sci-fi and suspense, Long live the new flesh..

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Max Renn is the president of CIVIC-TV, a Toronto UHF television station specializing in sensationalist programming. Harlan, the operator of CIVIC-TV's unauthorized satellite dish, shows Max Videodrome. Purportedly broadcast from Malaysia, it is a plotless show depicting victims being violently tortured and eventually murdered. Believing this to be the future of television, Max orders Harlan to begin unlicensed use of the show.

Nicki Brand, a sadomasochistic radio host who becomes sexually involved with Max, is aroused by an episode of Videodrome. Upon learning it is actually broadcast out of Pittsburgh, she goes to audition for the show but never returns. Max contacts Masha, a softcore pornographer, and asks her to help him investigate Videodrome. Through Masha, Max learns that the footage is real and is the public "face" of a political movement. Masha further informs him that the enigmatic media theorist Brian O'Blivion knows about Videodrome.

Max tracks down O'Blivion to a homeless shelter where vagrants engage in marathon sessions of television viewing. He discovers that O'Blivion's daughter Bianca runs the mission, aiding her father's vision of a world where television replaces everyday life. Later, Max views a videotape of O'Blivion explaining that Videodrome is a socio-political battleground in which a war is being fought to control the minds of the people of North America. Max then hallucinates that Nicki speaks directly to him and causes his television to undulate as he kisses the screen. Disturbed, Max returns to O'Blivion's homeless shelter. Bianca tells him that Videodrome carries a broadcast signal that gives malignant brain tumors. O'Blivion considers it as part of his vision, and hallucinations are a higher form of reality. When O'Blivion found out it was to be used for malevolent purposes, he attempted to stop his partners only to be killed by his own invention. In the year before his death, O'Blivion recorded tens of thousands of videos, which now form the basis of his television appearances.

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Later that night, Max hallucinates placing his handgun in a slit in his abdomen. He is contacted by Videodrome's producer, Barry Convex of the Spectacular Optical Corporation, an eyeglasses company that acts as a front for an arms company, who uses a device to record Max's fantasies. Max then wakes up to find Masha's corpse in his bed. He frantically calls Harlan to photograph the body as evidence, but, shortly after he arrives, her body is gone.

Wanting to see the latest Videodrome broadcast, Max meets Harlan at his studio. Harlan reveals that he has been working with Convex to recruit Max to their cause. They aim to end North America's cultural decay by using Videodrome to kill anyone too obsessed with sex and violence. Convex then inserts a brainwashing Betamax tape into Max's torso. Under Convex's influence, Max kills his colleagues at CIVIC-TV. He attempts to kill Bianca, who stops him by showing him a videotape of Nicki's murder on the Videodrome set. Bianca then 'reprograms' Max to her father's cause: "Death to Videodrome. Long live the new flesh." On her orders, he kills Harlan and Convex.

Now wanted for murder, Max takes refuge on a derelict boat in the Port Lands. Appearing to him on television, Nicki tells him he has weakened Videodrome, but to defeat it, he must "leave the old flesh" and ascend to the next level. The television shows an image of Max shooting himself in the head, which causes the set to explode. Reenacting what he has just seen, Max utters the words "Long live the new flesh" and shoots himself.

Caspro - Diamond Plaza (feat. Stilz)

Caspro - Diamond Plaza (feat. Stilz)

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Caspro - Diamond Plaza (feat. Stilz)

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The Girl with All the Gifts is a 2016 British post-apocalyptic adventure film directed by Colm McCarthy and written by Mike Carey. The film is based on the book of the same name by Carey. Starring Gemma Arterton, Paddy Considine, Glenn Close, and Sennia Nanua, the film depicts a dystopian future following a breakdown of society after most of humanity is wiped out by a fungal infection. The plot focuses on the struggle of a scientist, a teacher, and two soldiers who embark on a journey of survival with a special young girl named Melanie.

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In the near future, humanity has been ravaged by a disease caused by a parasitic fungus transmitted by bodily fluids. Over the prior decade, most of humanity that was infected turned into fast mindless zombies called "hungries". The only remaining hope is a cure that could be obtained from research on a small group of carrier but apparently normal children.

The children are imprisoned by a group of soldiers led by Sergeant Eddie Parks, and go to school at an army base in the Home Counties, where they are experimented on by Dr. Caroline Caldwell. Helen Justineau is responsible for educating and studying the children. Among them is an exceptional girl named Melanie, whom Justineau grows particularly close to, thus forming a special bond.

When Melanie is about to be dissected, the base is overrun by hungries and the operating lab is breached. Melanie escapes and wanders outside, where soldiers are being violently attacked. Melanie and Justineau board an escaping truck with an injured Caldwell, Sergeant Parks, and two surviving soldiers, Gallagher and Dillon. Melanie is restrained and muzzled to prevent her from biting the others. Dillon is killed when hungries attack as the group stops for water, and the truck is disabled when a fuel line is broken.

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The group reaches London by foot and makes their way through a swarm of dormant hungries using a "blocker" gel that masks their scent, rendering them largely invisible. They take shelter in an abandoned hospital for the night. Caldwell reveals to Melanie that second-generation hungries, or neonates, were discovered after babies killed their infected mothers by eating organs to get out of the womb, and while they crave living flesh, still think and learn, as the fungus has a symbiotic relationship with those born infected.

In the morning, the group realises they have been surrounded by hungries. Melanie, as a second-generation hungry, is ignored by them and therefore goes to explore abandoned houses, eating a stray cat during her time out. She helps the group by leading the hungries away with a stray dog so the group can escape.

As they progress through London, they come across piles of infected bodies encircling the BT Tower, which has been overgrown by a massive fungal growth. Caldwell explains that the growth contains pods which, upon maturity, could release airborne spores that would end mankind. They take shelter in an abandoned mobile laboratory that was sent into the city earlier by the military authorities.

Caldwell, injured and dying of sepsis, reasons that she can save the human race by sacrificing Melanie to complete her vaccine research in the lab. As the group runs out of food, Gallagher ventures into the city on a supply run, but is killed by a tribe of feral hungry children who have learned to trick uninfected people with a trail of food cans. When Parks and Justineau are surrounded by the feral children, Melanie fights and handcuffs the leader and kills him with a bat. The remaining children back off, allowing the group to escape.

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Caldwell attempts to dissect Melanie upon the group's return to the lab, imploring her to sacrifice herself for Justineau. Melanie comes to the realisation that she is not an experiment and that her kind, human-zombie hybrids, will be the future of the world. She escapes and sets the towering pod structure alight, causing it to release an immense cloud of spores. Caldwell chases after her, but is killed by the tribe of children.

Parks leaves the lab in search of Melanie, but becomes infected by the spores. He hands Melanie his gun and tearfully asks her to shoot him, as he does not want to turn into a hungry. Melanie obliges and shoots Parks as he is about to turn. In the lab, Justineau stands inside the sealed door, watching the spores fall.

The film ends with a tearful Justineau, safe but confined to the sealed mobile lab due to the lethal spore-filled air. Outside, the hybrid children of the army base, along with the feral children, sit together, kept sternly in place by Melanie. Justineau speaks through a microphone, educating the newly-dominant human-zombie species.

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Principal photography began on 17 May 2015 in The West Midlands, taking place in Birmingham city centre, Cannock Chase, Dudley and Stoke-on-Trent. Filming lasted seven weeks. Aerial views of a deserted London were filmed with drones in the abandoned Ukrainian town of Pripyat, which has been uninhabited since the 1986 Chernobyl disaster. 

We went a slightly different way in the movie, especially when it came to point of view. Where the novel moves between the five main characters and lets us see what’s going on in all of their heads, the movie sticks with Melanie all the way. And there are no Junkers in the movie. The base falls to a hungry attack. But it’s a case of two different paths through the same narrative space. The ending is absolutely faithful to the book.

— M.R. Carey, in an interview with Mom Advice
Half of the film's £4 million budget came from the BFI Film Fund and Creative England, making it the biggest investment that the latter had ever made and one of the largest ever for the BFI.

MicroMatscenes - Moquette (Soft and Silky)

MicroMatscenes - Moquette (Soft and Silky)

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MicroMatscenes - Moquette

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Cyberwalker - Crystal Glow

Cyberwalker - Crystal Glow

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Cyberwalker - Crystal Glow

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It Stains the Sands Red is a 2016 Canadian-American horror film directed by Colin Minihan. It stars Brittany Allen as a woman relentlessly pursued through the desert outside of Las Vegas by a single zombie.

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During a zombie apocalypse, Las Vegas residents Molly and Nick are on their way to meet up with some friends at a remote airfield in order to catch a plane ride out of the country. Their car gets stuck in the sand, and they encounter a lone zombie. After Nick unsuccessfully tries to kill the zombie with his gun, they are trapped in the car while the zombie tries its best to get in. Nick decides to wait for the zombie to lose interest in them, and when it suddenly disappears, they both get out of the car to find the cellphone that Nick dropped before. They need it to stay in contact with Jimmy, who is waiting for them at an airfield. The zombie suddenly reappears out of the night and kills Nick, forcing Molly to take whatever she can from the car and make out across the desert on foot, all the while being pursued by the slow-moving but persistent zombie.

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Nick aims his gun at a slow moving male zombie that is limping towards the pair..

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Molly comes across an abandoned house, which she temporarily takes refuge in. The zombie follows her to the house, but she manages to evade it. After leaving the house, the zombie starts pursuing her again. She realizes that if she keeps up a good pace the zombie will never catch her. She starts taunting then talking with the zombie, which she names "Smalls", and reveals that she was using Nick to get to Mexico. A sandstorm hits from out of nowhere, and Molly is knocked unconscious.

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Molly stumbles upon a derelict house..

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The zombie is very persistent and does not stop for a second in it's pursuit of Molly..

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After Molly regains consciousness, she encounters two men, Ted and Jason, who give her water to drink and put her in their air conditioned truck while they help look for her bag, which she lost in the sandstorm. She becomes uncomfortable and decides to leave when she notices that the men are driving a truck that is not theirs and have probably killed the father and son who owned it (their photo is in the vehicle, and Jason is wearing the boy's baseball cap), but the two men threaten to kill her unless she gives them the location of the airfield she was heading to, which she does. Ted decides to rape Molly, and is busy doing so when the zombie recovers and kills him, and Jason drives away.

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Molly begins to have her doubts about the authenticy of the two men, Molly looks behind her from the front seat and pulls away a grey sleeping bag to reveal a dirtied overall from the Arizona Correctional department.. Clearly these two men have escaped prison and are fugitives and dangerous..

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When the men return one tries to rape Molly, The commotion awakens the zombie who has become buried in sand from a storm.. The zombie quickly comes behind the rapist and kills him by biting his neck..

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Molly and Smalls continue on foot, and later Molly establishes some ground rules about him not biting her, which he seems to understand and go along with. At the campfire that evening, Molly reveals that she has a young son, Chase. They made tin can telephones to communicate with each other, and the last time that she saw him, she took her can with her so that they could stay in contact. She still has it with her in her bag.

The next morning they're traveling to the airfield, when Molly and Smalls encounter a convoy of soldiers. Two soldiers remain behind when they think they spotted something, and Molly unsuccessfully tries to hide Smalls from them, but he staggers out onto the road. She shields him and leads them to believe that he is her husband to protect him. The soldiers begin to leave, but then one shoots the zombie in the leg. It bites Molly's finger, and she is forced to use a large rock to amputate it before the infection spreads. Molly puts Smalls into the small inflatable raft that he's been pulling with her supplies in it, and begins to pull him down the highway towards the airfield, with her finger bleeding profusely. When Smalls falls out, she is forced to kill him with a rock, as he is too weak to travel, and she doesn't want to leave him like that. She takes his wallet and sees who he was in life (driver's license) and that he was probably married.

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Smalls the zombie has an odd and strange heart for Molly and almost wants to care for her..

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To Molly's horror some soldiers appear on the road ahead.. Molly knows they will kill Smalls who she now has a soft spot for..

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Molly begs the soldiers not to kill the zombie, He won't hurt anyone Molly cries out in an effort to save the life of the rotten carcass..

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Molly makes it to the airfield, where she meets Jimmy, Nick's friend, after he fires at her with his rifle because he's freaked out (some of his guys have become zombies and are locked up) and high on coke. They get the plane working and prepare to travel to Mexico, but Molly chooses to stay behind. She calls her sister Ali, but learns that her son Chase, who was living with Ali and her husband Blake, has been hiding in their house for several days. Molly decides to rescue Chase, first having to kill a few zombies to retrieve from one of their persons the keys to a convertible that she'll need for her drive back to Las Vegas.

Molly makes it to the suburb where Chase lives and finds it deserted, but with the remnants of much violence and chaos having unfolded. Upon arriving at their house, Ali and Blake are dead, but Molly searches upstairs and eventually finds Chase safe and unharmed. She promises never to leave him again and to protect him always. As they're leaving, several zombies break into the house, and Molly shields Chase and begins to wield a large shovel to fight their way through. Begin credits.

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Molly flips the wallet over to reveal the reanimated man's past life with his girlfriend or wife..

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Bronster Bridge - Tonight

Bronster Bridge - Tonight

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Bronster Bridge - Tonight

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Moving Forward In Reverse

Moving Forward In Reverse

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Moving Forward In Reverse · Cinematix1993

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Balcony Sunrise - Sitting Poolside

Balcony Sunrise - Sitting Poolside

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Balcony Sunrise - Sitting Poolside

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Lambert & Handle - Your Love (Mirko & Meex Remix)

Lambert & Handle - Your Love (Mirko & Meex Remix)

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Lambert & Handle - Your Love (Mirko & Meex Remix)

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Mirko & Meex

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Don't Leave Me This Way (Extended Mix)

Don't Leave Me This Way (Extended Mix)

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Don't Leave Me This Way (Extended Mix) · Fab Massimo · Kevin McKay · T'Shan Williams

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Kevin McKay

Fab Massimo

Arwelone - Mayfield

Arwelone - Mayfield

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Arwelone - Mayfield

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Hello my synthwave friends! I'm very excited to announce that now you can buy my debut album "Cocktails and Avenues" on a CD! I was told that this Compact Disc thing is a new cutting edge format of media that can hold an entire music album! I do realize that this is a brand new technology and not all of you have a CD Walkman but if you do, consider grabbing one of these. The number of CDs is limited! ⁣

Things you can do with your copy of "Cocktails and Avenues" CD:⁣

• Play it in your car⁣
• Play it on your CD Walkman⁣
• Come up to a DJ and ask him to "play this instead"⁣
• Use it as an expensive shiny coaster! ⁣
• Look at things through the hole in the disc.⁣

DON'T PUT IT IN A MICROWAVE. ⁣

Grab it from my Bandcamp page: https://arwelone.bandcamp.com

#Synthwave | Michael Elliot & Teya Flow - Someone

#Synthwave | Michael Elliot & Teya Flow - Someone

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#Synthwave | Michael Elliot & Teya Flow - Someone

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Michael Elliot

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Teya Flow

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Michael Elliot x Kraver - Steve Harrington S4  | RetroSynth (Synthwave / Dreamwave)

Michael Elliot x Kraver - Steve Harrington S4 | RetroSynth (Synthwave / Dreamwave)

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Michael Elliot x Kraver - Steve Harrington S4 | RetroSynth (Synthwave / Dreamwave)

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Steve Harrington, portrayed by Joe Keery, is a main character in Stranger Things, having a recurring role in the first season before being promoted to the main cast from the second season onwards. Steve Harrington is a character from the Netflix television show Stranger Things, portrayed by Joe Keery. Though initially characterized as a stereotypically unlikeable jock, Steve has progressed throughout the series into a more courageous, thoughtful, and caring character. His character development has been well received, with critics calling him the show's breakout character and its emotional anchor. Initially a part of the first season's recurring cast, Steve was promoted to series regular in season 2.

No Reason

No Reason

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No Reason · SelloRekt LA Dreams

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Sub Morphine - HyperVisor

Sub Morphine - HyperVisor

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Sub Morphine - HyperVisor

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BMX Escape - My Crush (feat. By Forever) [Synthwave / Retrowave]

BMX Escape - My Crush (feat. By Forever) [Synthwave / Retrowave]

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BMX Escape - My Crush (feat. By Forever) [Synthwave / Retrowave]

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Tonebox - Warp Drive

Tonebox - Warp Drive

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Tonebox - Warp Drive

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Mitch Murder - Breeze

Mitch Murder - Breeze

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Mitch Murder - Breeze

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Naeleck - All My Heroes ft. Sarah Rebecca

Naeleck - All My Heroes ft. Sarah Rebecca

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Naeleck - All My Heroes ft. Sarah Rebecca

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Playboi Carti-" 9 AM in Calabasas remix"(prod by Adrian)

Playboi Carti-" 9 AM in Calabasas remix"(prod by Adrian)

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Playboi Carti-" 9 AM in Calabasas remix"(prod by Adrian)

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Playboi Carti

Jordan Terrell Carter (born September 13, 1996), known professionally as Playboi Carti, is an American rapper, singer, and songwriter. An influential figure among his generation, he has contributed to the progression of rage and trap music. He first signed with the local underground record label Awful Records in 2014, and later signed with ASAP Mob's record label AWGE, in a joint venture with Interscope Records two years later. Carter gained mainstream attention following the release of his eponymous debut mixtape (2017), which peaked at number 12 on the US Billboard 200 and spawned the Billboard Hot 100-charting singles "Magnolia" and "Wokeuplikethis" (featuring Lil Uzi Vert). Carter's debut studio album, Die Lit (2018) reached further success on the Billboard 200, peaking at number three. Following a two-year hiatus, his second studio album, Whole Lotta Red (2020) debuted atop the chart and was met with critical acclaim; it was listed as among the greatest albums of that year by Rolling Stone and The Washington Post. Carter is scheduled to release his third studio album in 2024.

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